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FEDYA&HAIK × The Musical “Montezuma’s Daughter” at the Moscow Operetta Theatre

Creating Costumes for the Musical

One of the major theatrical projects undertaken by the FEDYA&HAIK workshop was the creation of costumes and stage elements for the musical “Montezuma’s Daughter”, staged at the Moscow Operetta Theatre.

Inspired by Henry Rider Haggard’s adventure novel, this large-scale production combined the historical heritage of Aztec culture with vibrant stage design and modern theatrical technologies. The production designer and costume designer was Vladimir Arefyev, while the workshop of Haik Simonyan and Fyodor Dodonov was entrusted with creating the most complex decorative costume elements based on his sketches.

Actress wearing a costume created by Fyodor Dodonov and Haik Simonyan for the musical “Montezuma's Daughter” at the Moscow Operetta Theatre

Historical Style and Modern Technologies

In creating the visual world of the production, designer Vladimir Arefyev drew inspiration from the ancient art of the Aztecs and the era of the Spanish conquistadors.

The stage featured intricate ethnic ornaments, monumental headdresses, armour, and decorative elements inspired by historical artifacts while adapted for contemporary musical theatre. The creation of these most technically demanding pieces was entrusted to the FEDYA&HAIK workshop.

Montezuma’s Costume

The workshop’s central contribution was the costume of the Aztec ruler Montezuma. It included an impressive headdress, chest ornaments, shoulder pieces, protective costume elements, and numerous decorative details inspired by the ancient art of Central America.

Despite its monumental appearance, the costume had to remain lightweight, comfortable for the performer, and durable enough to withstand intensive use throughout the production.

Actor portraying Montezuma in a costume created by Fyodor Dodonov and Haik Simonyan for the musical “Montezuma's Daughter” at the Moscow Operetta Theatre

 

 

Warrior Costumes

Another important part of the project was the creation of warrior costumes. Based on Vladimir Arefyev’s sketches, the workshop produced three costumes featuring dragon heads and three costumes featuring lion heads.

Each costume included elaborate sculptural helmets, decorative appliqués, armour elements, and richly textured details that conveyed the appearance of ancient ceremonial warriors.

Actors wearing warrior costumes with dragon heads in the musical “Montezuma's Daughter”

 

 

Montezuma’s Daughter’s Headdress

Another significant contribution by the workshop was the headdress created for Montezuma’s daughter. Combining architectural composition, ethnic motifs, and intricate decorative sculptural forms, it was designed to remain comfortable for the actress throughout the performance.

Headdress for Montezuma's daughter created by Fyodor Dodonov and Haik Simonyan

 

 

From the Workshop to the Stage

The project involved far more than simply manufacturing costume pieces. At the FEDYA&HAIK workshop, the process included modelling, fabrication of sculptural elements, assembly, hand painting, patination, and final fitting of every detail.

Photographs taken during production reveal the remarkable amount of craftsmanship and manual work hidden behind just a few minutes of stage performance.

 

 

Project Summary

The work on the musical “Montezuma’s Daughter” became another major theatrical project for the FEDYA&HAIK workshop. Based on the sketches of designer Vladimir Arefyev, Haik Simonyan and Fyodor Dodonov created the production’s most technically challenging elements, including Montezuma’s costume, the headdress of Montezuma’s daughter, warrior costumes with sculptural dragon and lion masks, and numerous other original details that combined artistic vision with modern costume-making technologies.

On February 18th 2022, the musical “Montezuma’s Daughter” premiered at the Moscow Operetta Theatre. The costumes created by FEDYA&HAIK became an integral part of the production’s visual identity, bringing the historical imagery of the ancient Aztec civilization to life through a contemporary theatrical interpretation.

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